Monday, May 03, 2004

Performing Arts, Africa.

In Senegal, Joseph Gaï Ramaka's Karmen Geï translated Prosper Merimée's Carmen to modern Africa and a sexually more complex society, while Moussa Sene Absa's Madame Brouette was a lively music-driven story of independent women in revolt against feckless and self-serving men. From Chad, Mahamet Saleh Haroun's Abouna (Our Father) related the optimistic saga of two young

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